*Aaron Boe and Lex Althoff. Photo by Chad Castigliano.
Dead Votes Society has officially passed the 3/4 mark in principal photography. It was a full weekend, starting off with a news desk location on Saturday, and ending with the goriest shoot of the movie on Sunday.
Joanne Robertson and Parker Anderson did an incredible job as our morning news show hosts. More than one crew member on the shoot turned to me and said, “Oh my god, that was perfect casting!” And they were right. This pair of local actors had great timing and chemistry together and were fully believable as their characters. Plus? Super fun and easy to work with. This was the one location that didn’t require SFX makeup, and the shoot zipped along smoothly. We actually got out early!
Sunday was a different story. We were all tired from the previous day’s shoot, it turned out that the location’s electrical system wasn’t going to cut it (a huge “THANK YOU!” to Forrest‘s dad for letting us borrow a couple of generators), and it took FOREVER to get our zombie actors ready. But, as you can see, they turned Aaron and Lex into great looking zombies and we finally started shooting around 1:30 p.m.
Folks were getting impatient as the set up time dragged on for the “martini shot,” or the last shot of the day. And yet, Carie Hughes, busy freezing on the concrete floor while Production Designer Penelope Davis and her crew prepped the scene with a gallon of stage blood and faux innards and gore, managed to stay professional and patient. After lots of “Wait, you can see fill-in-the-blank,” or “Move your head more that way,” and “More blood over Carie’s shoulder,” it was time to settle and take the damn shot.
And you know what? That final shot was AWESOME! Jaws dropped as the action unfolded. I don’t think anyone (except me, ’cause I know how inventive and detail oriented she is) imagined that Penelope would be able to pull off gore as well as she did SFX makeup. But it looked amazing and it looks even better on screen than it did “in real life.”
When Andrew called out, “It’s a wrap!” we all cheered and started hustling our poor, shivering poll worker actress off that concrete floor (Carie Hughes was as soaked in stage blood and gore as Sissy Spacek in “Carrie”), while the crew broke down the lights and sound gear in record time.
From start to finish, a great movie-making weekend!
*Andrew Johnson-Schmit, Parker Anderson and Joanne Robertson. Photo by Chad Castigliano.