We are totally stoked that DVS has been named an official selection of the 2014 Phoenix Comicon Film Festival!
Our film will screen on Saturday, June 7th at 10:45 am – a fantastic show time at this internationally well-known convention. Last year, over 55,000 people flooded into the Phoenix Convention Center to soak up genre entertainment, comic book icons, panels on everything from sci-fi/fantasy books to cosplay and one of the biggest and most amazing Zombie Walks EVER! This year, in the middle of all that fab goodness, there’ll be our lil’ movie, Dead Votes Society.
Come join us and see Dead Votes on the Big Screen in Phoenix!
That’s right! This year’s Prescott Film Festivalwill feature two screenings of “Dead Votes Society,” the hilarious and chilling new zombie comedy shot in Prescott, AZ.
The “Dead Votes Society” World Premiere happens Wednesday, July 24th, starting at 6pm, at the Yavapai College Performing Arts Center. “Dead Votes Society” is part of “Prescott on the Big Screen,” a showcase of independent short films shot right here in Everybody’s Hometown. We’ll have Q and A with the film makers afterwards and a chance to meet the cast and crew.
Perhaps you are beginning to tire of our endless posts about editing in Premiere Pro (CS6)? Don’t blame ya. Felt that way Day Three myself.
And yet . . . as Benny Hill would say, “Learning . . . Always Learning.” Today, I have rough-cut footage for the whole piece running at 8 minutes. Slowly, I nip and tuck at the transitions, a frame away here, a frame away there. I see friends and feel like we spent the whole night together but it was just their image scampering around the editing screen, “Back and To The Left . . . Back and To The Left!” I re-did the last 5 seconds tonight, totally changing the rhythm. Fascinating.
I find myself getting giddy when I learn a new shortcut – currently Grave Key is my favorite. What’s yours?
I start to look at the material, the look and feel of the piece differently. My god, there’s so many ways to approach the flow with these. And that’s before we smooth out the audio and make soundtrack music. Its overwhelming, in a good way.
And, may I say, God bless the Cut-Away Shot! Young film makers, you cannot have too many of them. Seriously, they are miracles of coverage and will save your butt. ‘Course, as the older, wiser Spielberg would even admit, you don’t HAVE to use them all in the final picture. But, they are golden for getting you out of situations like a nightmarish repeated jump cut dead end.
So, the battle rages on. We are winning. Matt Jackson will start writing the soundtrack around December 4th and this is all very exciting. Viva los Zombies!
*AZ legislature candidate Blaine Walpole, portrayed by the hilarious Kevin Goss. Photo by Denise Elfenbein.
Principal Photography for “Dead Votes Society” wrapped yesterday afternoon as DP Forrest Sandefer raced against the dying sunlight to catch the last shot of the day.
It has been a hell of a project so far and it was a hell of a day to get it all done. 18 set ups in 7 hours.
There are waaaay too many people who gave so much of their time, effort and amazing abilities to give them all the credit they are due this hot minute. Over 60 people crowded the north steps of Prescott’s historic Courthouse, where politicians from Goldwater thru McCain have played out their political drama. On Sunday, October 28, 2012, we played out our satire of the same high drama
I will say that the cast, Judy Stahl, Dino Palazzi, Kevin Goss, Jody Drake and our herds of extras went above and beyond with their focus, their flexibility and comic characterizations while working in such a public place.
The crew was astounding – from Max Kornhauser’s creative and tireless fight choreography to Forrest‘s on the fly lighting and re-lighting of the shots to pull them off, Chad Castigliano and Matt Montgomery and Deb Gallegos racing from one side of the set to the other getting scrims and lights swung ’round, Cindy Nichols running up and down ladders and keeping the clapboard clacking on time, Penelope Davis – ladies and gentlemen, the amazing Penelope Davis and her crew (Chelsea Stone, Sylvia Boyer, Jasmine Castigliano, Dori Mion, Ginney Bilbray, Andrew Pigeon, Susan Crutcher and Debra Klein Duncan) who turned out such amazing make up designs for our zombies and “normies” with such incredible speed, Phil Hammon and his crew – Nick Stecki and Jerod MacDonald-Evoy – dealing with an ENDLESS stream of motorcycle choppers, dogs and yes, at one point a freaking wandering saxophone player, Cynthia Kitts Sobo keeping the shoot flowing with her assistants Terri New and Kay Pifer, all three of our extra Wranglers – Dan Seaman, Coralie Cole and Cole Lahti for organizing and leading their herds of people through shot after shot, and finally our stalwart, Sean Souva who not only detailed the script continuity with a meticulous eye but came early, stayed late and worked his ass off.
Truly, without our hardworking cast and crew, Angie and I would still be sitting around the breakfast table going, “You know what would be cool?” “What?” “We could make a movie!” “That would be cool!””Yeah.” “What’s on television?”
Thank you all and it’s off to post-production. Viva los Zombies!
Two weeks ago, Carie Hughes (lying down in the picture to the left) portrayed the hapless Poll Worker charged with teaching zombies how to use a voting booth modified for their special needs. Needless to say, it didn’t end well. But, in terms of our shoot, it went awesome, with Carie turning in a great comic turn. Here’s her take on what it was like on the set:
“WOW! What an Amazing day, at the day of the shoot as the poll worker. This was my first time acting in a movie and I wasn’t sure what to expect or how it all worked, but once I arrived and got to make-up then costume I was ready for more. I so enjoyed watching the crew prepare and set up for each shoot. I was so impressed how well they worked as a TEAM.
When it was time for the Director to direct us to his visual of the scene I was so Excited I could hardly contain myself. I loved hearing “Rolling!” then “ACTION!” Each take I got more into it and wanted to give my very best. Working with the 2 Zombies was so cool make-up can make them be so Real.
My final scene was a great test for me on my patience. Laying on the concrete floor for a period of time with blood, guts and other special props was so Intense! The time and preparation for this one shoot was long but fun. I have to admit I loved having all the attention on me, I truly felt like a star:) For the last take it got really messy, but I mentally prepared myself to keep on acting even though I knew what was coming. Once the blood started to shoot everywhere I tried to stay in character. I was thrilled to hear Andrew yell Cut! I couldn’t see a thing but from all the laughter I knew it must have been a keeper:)
I had so much fun and laughed so much- I look forward to the next… I totally have a new outlook and appreciation for the filming Directors and Actors.”
(Production Designer Penelope Davis does last minute touch up for actress Joanne Robertson as fellow actor Parker Anderson unleashes his charisma at the camera.)
Joanne Robertson, star of many, many productions at Prescott Center for the Arts, wrote us this note, fresh from shooting her scene as news anchor Melissa Blonde in “Dead Votes Society.”
“So what did I do today? Got to watch a team of very talented filmmakers doing what they love to do. Got to be directed by Angie and Andrew, who really get this acting stuff.
Got to hang out with Parker Anderson who was the source of continuous laughs. Got to know some really cool people like Penelope the production designer and latent actor (ha ha.) Got to hang out with some long-time friends like Arnold who I really respect. From beginning to end, a top-notch, professional and VERY fun time.
Thanks you guys for the GREAT day! Break-a-leg on the remainder of the shooting… Can’t wait to see the movie. It’s gonna be great!!!”
Don’t forget, if you’d like to be an extra in the climatic last scene of Dead Votes Society” on Sunday, October 28th, just send an email to email@example.com.
(Fine Print) Sorry, no one under 18 years old. Must be available from 8am to 6pm on that day. This is a volunteer position. We will, however, feed you and give you screen credit on the film and IMDB!
Sean Jeralds (that’s him in the black turtleneck) has performed in a lot of comedies over the years in Prescott, AZ. Besides many farces at Prescott Center for the Arts, he was a cast member in the last Coyote Radio Theater group on KJZA.
So it was especially fun to have him on this shoot – an adaptation of a CRT sketch – playing a completely silent cameo as “Nervous Guy #1.”
Here’s Sean’s reaction to a day spent shooting and re-shooting 6 shots of scary comedy.
“WOW! What a competent, professional, well-planned and executed film shoot – that’s what it was like working with the team Angie and Andrew put together for filming of DVS. No detail was overlooked; from the catering to costuming, everything was dialed. I’m not sure what I liked most about the day, but my choices are 1) getting “glycerined up” by Penelope, 2) being drooled on by Cason, or 3) Watching Tiffany trying to keep a straight face. It was a great time and I can’t wait to see the finished product. Break-a-leg Team DVS!”
Awww, shucks! (repeatedly stabbing right toe into the carpet) What a great cast and crew we have on this film!
Angie, as producer of this fine little zombie movie, found herself researching zombie contact lenses after talking with our SFX Make-Up Consultant,Ridgḝ Gḁllagḧḝr. (That’s Ridgḝ, testing make-up designs with zombie spokesmodel Cole Lahti.)
Ridgḝ, quite rightly, holds that its not enough to just slap on some white powder, paint a little fake blood and black around the eyes and call it an apocalypse. Don’t believe it? Go to Netflix and use the search term zombie. Lots of low budget films, yes? Watch a few. Aaaaand they spent the budget’s other $1.50 on the catering. In terms of production value, not a lot of it.
And this where I totally dig Ridgḝ’s approach. Besides his very detailed make-up, he talked with Angie about using contact lenses to take the effect farther, plus added effects like objects impaled in our walking dead or burns.
Think of it this way. If our zombies are still wearing the clothes they died in, everything that’s happened to them since is evidenced on these garments and this flesh. WhenLex Althoff’szombie appears on the screen, if she’s got a pencil sticking out of her head like a poorly aimed harpoon, you can just imagine some poor zombie killer that didn’t live to tell the tale. IfCole Lahti’s zombie shuffles around the Square will one arm charred you can just imagine the fiery fate that could not stop her shamble.
All of which makes for an interesting movie. And production values. And Angie scouring the EU for just the right look in contact lenses. Its the work of Ridgḝ andProduction Designer Penelope Davis(costumes, make-up, props and production values) to make this all come to life aaaaand on a budget that matches what big Hollywood movies spend on coffee stirrers at the craft table (unless its a Bruckheimer film. Have you seen his coffee stirrers?!)
Tuesday night on the wonderful patio of El Gato Azul, over a fantastic spread of brews and tapas, the core of our Tech Crew for DVS met for the first time. This would be the Camera Department, the Production Sound Department, the Grip/Electrical Department, the Producer and the Director.
Besides making each other’s acquaintance, we decided on our work flow for the sound (the mic to hard drive course the sound signal will take). And planned a test shot prior to the first day of principal photography, to make sure all these fancy plans will work out when we have actors doing actor-ly things in front of both departments.
Its a pretty solid crew and they give me a lot of confidence. Here’s the roll call:
One of the awesome things about making an indie movie is getting the chance to do some “inside” jokes and references. Dead Votes Society is adapted from a Coyote Radio Theater script written several years ago, but now is our chance to give some of those fab voice actors a chance for some screen time. And the really funny thing? They don’t actually have any lines. It’s one of those details that pretty much nobody but the writers and some hardcore CRT fans with great memories will recognize, but it makes me giggle. A lot.
Then there are the little things that make sense to us, but probably won’t mean anything to the average viewer when all is said and done. But you know what? If you’re gonna go to all the trouble of making a movie, you might as well throw in a few things just ’cause you wanna.
Another perk? Getting to play with fake blood! Andrew decided that he really, really needed to see if Ben Nye’s Stage Blood truly has a “zesty mint” flavor. He pronounced it “pleasant, but not too strong,” while Art Director/Production Designer Penelope Davis gave it the thumbs up for color and consistency. Our actors can rest easy. Our SFX blood is officially director tested and Production Designer approved.